Professional
Roto Artists have a developed eye. They see the edges of a target, can
match their roto edges to the target, and maintain a consistent shape
and distance thru the frames of a shot. On my first feature film, FLAGS
OF OUR FATHERS, my lead stressed the concept of "keeping the roto
consistent". While I heard the words, I did not quite see what he meant.
I was green and, to make matters worse, I was trying to hide it. And I
didn't ask what he meant.
As a result, my first couple of FLAGS shots had the same quality as this
first roto shot - wobbly and swimming. My roto would drift 2-3 pixels
away from the edges and I didn't even see it. My peers had to show me.
The reason was I did not have Roto Vision. I knew how to trace and animate splines. But
because I didn't have the eye, I was not creating professional roto.
Thankfully, the FLAGS roto team were very supportive of each other and
the new guy. They were willing to review my work and give me guidance.
And they never once said how much my roto sucked even when it probably
did.
The first
step to develop Roto Vision is to study the plate. Play the shot
back multiple times and ask these questions.
Roto Vision: Step 1 - STUDY THE PLATE
- Where are the target edges?
- Is the plate bright enough to see the edges?
- How are those edges changing, moving?
- On what frames are the edges changing?
- Where are the main key frames?
Write down what you see. We'll see if your Roto Vision catches the specific nuances of this plate in the next episode.
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